AI short dramas push out live-action shoots as Chinese teams expand overseas
A 霞光社 feature republished by Huxiu AI describes how AI-generated short dramas are displacing live-action overseas productions. Cecilia, head of the US-based 疯狂石头影视, said live-action overseas short-drama shoots have shrunk at least 30% to 50% year on year since Q2 2026, while actors recounted being told they had been replaced by AI; director Mandy said she moved from Atlanta to Los Angeles in June as opportunities dried up. The piece cites DataEye figures that Jiuzhou Culture's AI and animated dramas account for 95% of its total capacity, and that more than 80% of new content on Kunlun Tech's DramaWave is AI-generated, and it reports that a change to TikTok's revenue-share coefficients in July and August sharply cut payouts for many AI short-drama producers. It also notes that Latin America has become a strong market, with platforms such as PineDrama, ReelShort and DramaBox adding local production.
The article ties the live-action pullback to cost: practitioners put a typical overseas live-action short drama at about $150,000, while AI production can cost roughly a tenth of that.

今年6月,Mandy从亚特兰大搬到了洛杉矶。房租从每月1800美元涨到2600美元,她的身份也变成了独立短剧导演。搬家的原因很简单:亚特兰大的机会太少了。2023年年底,电影学院的同学邀请她一起创业,以制片身份、项目制的形式,与对方的制作公司合作。那时短剧在美国还很新鲜,制片几乎都由亚洲人担任,只有少数组员是......
本文来自微信公众号: 霞光社 ,作者:乌塔,编辑:李小天
今年6月,Mandy从亚特兰大搬到了洛杉矶。房租从每月1800美元涨到2600美元,她的身份也变成了独立短剧导演。
搬家的原因很简单:亚特兰大的机会太少了。
2023年年底,电影学院的同学邀请她一起创业,以制片身份、项目制的形式,与对方的制作公司合作。那时短剧在美国还很新鲜,制片几乎都由亚洲人担任,只有少数组员是美国人。那时的她,工作与生活都处在一种“刚刚好”的状态。
#TikTok#Jiuzhou Culture#Kunlun Tech#DramaWave#Inkitt#CandyJar#Utopai Studios#ReelShort#DramaBox#PineDrama#Chinese Online#DataEye